Linux World

Source: http://www.freesoftwaremagazine.com/columns/net_neutrality_what_does_goo...

Net neutrality has been a hot and persistent topic on the internet for some time, so I’m not even going to attempt to summarize the debate here. Anyone who values their personal and online freedom knows it’s a crucial issue. Regardless of your operating system or the software we use it will affect each and every one of us. However, if you use GNU/Linux you’re already tech savvy and familiar with the politics and philosophy of free and open software, so you’ll be particularly sensitized to the impact of threats to net neutrality on free software. Just how could it affect users of GNU/Linux?

Source: http://www.freesoftwaremagazine.com/columns/why_cant_free_software_lead_...

In the past few years we’ve seen a lot of hardware-based innovation (or at the very least expansion). New products and markets have arisen built around hardware and its use. Smartphones, tablets, netbooks and gaming systems are all examples of markets that have expanded and some if not most of the products make use of free software. This is great but why does it seem to be that the free-software products are second-generation, playing catch up. Where is the device innovation driven by free software?

Source: http://www.freesoftwaremagazine.com/columns/finding_free_music_free_film...

One of the great advantages of using a free license for a work is that you can re-use a growing body of free-licensed source material to help you do it. But it can seem a little daunting to find the material that you both want and can legally use. Here’s a little bit of my strategy, a few tips, and some sources, including Jamendo, which I found to be the most useful for finding music. I also touch upon some useful free software tools for listening and sorting tracks.

Source: http://www.linuxfoundation.org/news-media/blogs/browse/2010/06/15-facts-...

Coming out of Computex, there’s been a lot of momentum for Meego,  the Linux-based platform that can power multiple computing devices, including handsets, netbooks, tablets, connected TVs and in-vehicle infotainment systems. Ibrahim Haddad, the Linux Foundation director of technology and alliances, has just published a new article, “An Introduction to the Meego Project.”

Source: http://www.freesoftwaremagazine.com/columns/extracting_and_using_recorde...

I found a useful sound effect in an online video from NASA which replaces an earlier temporary sound I used in a scene soundtrack for the Lunatics pilot, “No Children in Space.” I’m going to extract the sound from the video (with VLC), cut out the sound I need, clean it up, and insert it into an existing sound mix (all with Audacity). This should give you some insight into using Audacity and a VLC on a real project.

Source: http://www.freesoftwaremagazine.com/columns/backup_your_google_mail_loca...

To the chagrin of their competitors, GoogleMail seems to have become almost as synonymous with webmail as Google has with search engine (recently my six year old was explaining to me how he Googled for something at school). GoogleMail is a useful tool and has a lot of advantages over traditional client-server mail accounts, particularly if you are on the move. To be honest those sorts of advantages are present in pretty much any webmail setup: I’m just concentrating on GoogleMail because it’s by my experience the most popular. But GoogleMail has one disadvantage, all your messages are stored on Google’s servers. If you lose access to Google service or to your account then you lose your e-mails. Fear not oh free software lover, help is at hand in the form of the very useful getmail.

Source: http://www.freesoftwaremagazine.com/columns/storyboards_film_flickr_open...

How do you get a flurry of images in your head into a concrete description of a film so that you can produce it? One important step is to create storyboards. For the storyboards on Lunatics, I’ve used a variety of approaches, from rough sketches on index cards to found photos and collages. This has allowed me to collect my ideas and get them into a concrete form — both as cards I can manipulate directly and as images on computer that I will later be able to turn into an animatic.

Source: http://www.freesoftwaremagazine.com/columns/making_movies_free_software

Sometimes life is very circular. Once upon a time, I was a film major. Then I was an astronomer, then I was unemployed for quite awhile, during which time I discovered free software, and as a result of my various rantings about it, I started writing for Free Software Magazine. Now it seems that I’ve become a film-maker again. I’m working on not one, but two animated science-fiction films using free software tools, intended for a free-licensed release on the internet under new distribution models. And, being a writer, I’m going to write about it. I think it will be both entertaining and useful.

Source: http://www.freesoftwaremagazine.com/columns/creating_animatic_using_auda...

An animatic is a kind of a rough sketch for a film. It’s not really meant to be an artform in itself (although some reach that point), but it is rather intended to be enough information for the filmmaker to make intelligent production decisions. It also must be cheap and easy, since effort that goes into the animatic will not appear in the final film. I have not yet fully decided what tool is right for doing the animatics for Lunatics, so I’m doing some experiments with different tools in order to decide. In this column, I’ll create an animatic for a short sequence from the pilot.

Source: http://www.freesoftwaremagazine.com/columns/painting_sound_arss_and_gimp

As I was working on a sound track project for a science-fiction film I’ve been working on, I remembered reading an article in Free Software Magazine, by Gianluca Pignalberi, in which he described filtering using Gimp and a command-line program then called “ARSE” (version 0.1). The program is now called “The Analysis & Resynthesis Sound Spectrograph” (“ARSS”, now version 0.2.3). Combined with an image editor of your choice (I also chose Gimp), it also turns out to be a very interesting way to make original sound effects — by painting the sound spectrum.